翻訳と辞書
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・ Yuri Senkevich
・ Yuri Sergeev
・ Yuri Sergeevich Lavrov
・ Yuri Serkov
・ Yuri Shabanov
・ Yuri Shablikin
・ Yuri Shafranik
・ Yuri Shaporin
・ Yuri Shargin
・ Yuri Lyubimov
・ Yuri Magdiýew
・ Yuri Maier
・ Yuri Makoveychuk
・ Yuri Malenchenko
・ Yuri Mamaev
Yuri Mamin
・ Yuri Mamin filmography
・ Yuri Mamontyev
・ Yuri Mamute
・ Yuri Manchenko
・ Yuri Markhel
・ Yuri Marushkin
・ Yuri Maslyukov
・ Yuri Matiyasevich
・ Yuri Matochkin
・ Yuri Matveyev
・ Yuri Mazurok
・ Yuri Medvedev
・ Yuri Melikov
・ Yuri Mentyukov


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Yuri Mamin : ウィキペディア英語版
Yuri Mamin

Yuri Mamin ((ロシア語:Юрий Борисович Мамин); born 8 May 1946) is a celebrated Soviet and Russian film director, stage director, screenwriter, composer, author and television host, Honored Art Worker of the Russian Federation. His "Window to Paris" (1993) remains one of the most popular movies in Russia. His Buddhist-themed film "Don't Think About White Monkeys" (2008) is popular among the Russian noncomformist youth, including punks and rockers.〔() Mikhail Bortnikov's review of the film "Don't Think About White Monkeys"〕
Yuri Mamin is the only person in Russia to have won the Chaplin's Golden Cane award. The award was presented by Charlie Chaplin's widow, Oona Chaplin, at the festival marking 100 years since the birth of the great comedian. The festival was held in the Swiss city of Vevey, where Chaplin was buried.
Mamin's works are known for a strong emphasis on social justice and criticism of hypoctitical social norms. Because of this, he found difficult to find support for his productions in the totalitarian USSR, as well as in today's Russia, where film makers became dependent on corporate oligarchy. His characters often portray an inspired citizen in the fight for social justice against corporate capitalism.〔() Yuri Mamin's 2010 political interview for Radio Liberty〕
Yuri Mamin began his directing career under the communist regime. He was never a communist and was always opposed to the oppressive power of the Communist Party. Because of this, he could not create his films until the beginning of Perestroika in 1985 and Mikhail Gorbachev's arrival to power. His works are popular among alternative socialist groups who criticize both capitalism and the Soviet system.
The Gorbachev period ended in 1991 and Yuri Mamin again became a persona non grata for the criminal tycoons who almost immediately took over all the leading positions in Russian cinema and mass media.〔() Yuri Mamin's 2009 interview in Nevskoye Vremya (The Neva Time)〕
From the early 1990s, a group of official Russian film critics, controlled by the regime, began a period of notorious denigration of the film director and his art. Against this background, Mamin's films won the love of audiences throughout the nation. Almost all of his films received numerous grand prizes and other awards.〔() Yuri Mamin's 2005 interview for Novaya Gazeta ("The New Newspaper")〕
The official state-supported Russian Encyclopedia of National Cinema, edited by L. Arkus, contains offensive critical reviews of Mamin's films, while acknowledging his talent and important place in the history of Russian cinematography.〔() Offensive criticism of Yuri Mamin in the state-supported Russian Encyclopedia of National Cinema〕
==Personal life==


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